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The Surface Tension between the Esoteric and the Exoteric

The esoteric is opaque by definition; yet the depths rarely mind it when the surfaces discount them.


I subscribe to the notion that there are various levels to spiritual knowledge. As the alchemists put it: “as above, so below”— meaning, in a sense, that obvious facts correspond to inner truths.

For example: the leaves of a tree will brown with age and fall out. The same happens to the teeth of a man. These are, at a glance, entirely mundane facts. But on consideration (and with a pinch of poetic license) one could say that this speaks of how a person develops from a state of hunger and purity, and then moves to a state of decay and barrenness (the leaves being thought of as hungry for the sun, as teeth are for food). And in later life, a person returns to needing softer morsels, and all her showiness is stripped away, revealing the skeletal branches of her life’s choices.

In religion, too, there are levels of interpretation: the lowest being a blanket acceptance of the inherited laws. At a certain stage, the question arises: why? And what-for? There is a resistance to this leap from those who are content with the answer “because X said.” And here lies much of the “surface tension” between non-believers and believers—because experience of a self demands personal proof. Gurus and mystics arise to satisfy this demand, and due to the ambiguity of spiritual knowledge, many of the so-called wise are either willful charlatans, imbued with attractive charisma, or people who have received something personal, who try to communicate this to others. Some knowledge can be communicated in such a way that it is useful for others, and some knowledge can only be understood by personal revelation.

Esoteric knowledge (eso = inner), I believe, exists, but the exoteric (exo = outer) obscures it, and often corrupts, misinterprets, or outright discounts it.

the PREantePENultimate POST

From another r/writing thread

Some superfluous advice for the Beginning Writer:

Make sure you read as much as you can. Branch out of fiction, find a vein of philosophy you enjoy—that will help to build your thinking muscles for later on, when you’re ready or want to dip into deeper concepts.

(A semi-related anecdote: when I was a teenager I wanted to be a poet. I understood that poetry needs to be wed to music to garner the praise I was after, at least in the culture I’m from. And seeing as how I was shy and more often than not disappointed by the lyrics of the bands I liked, I decided to focus on writing stories instead. Years later, burnt out on stories, I picked up a guitar, and found that songs fell out of me, like rabbit poop scattering across the carpet. It puzzled me how much a struggle it was for the musicians I knew to finish a song—when, as a writer, all I needed was a good chord progression, a change or two, and the lyrics came on their own. I knew how to listen for them. Which goes to say: other pursuits will feed into your writing, and give you an advantage, or, rather, increase the value of your product. (As an aside, I can’t record music for sh*t, but I love writing songs, they alleviate my poetry compulsion))

Also, write for people and write for yourself. Get good at action sequences and descriptions, but experiment with language when you can. I believe that Writer’s Block is not so much an absolute block as an indication that your imagination wants to take things in a different direction. As the proverb goes: “There is always fruit in the forest.” So: be playful. Remember that the entirety of writing is a human construct, and there are no absolutes, only varying degrees of clarity, immediacy, and sympathy between writer and reader.