Here are a few words that are on my rewriting “watch list”, which I try to minimize / synonymize in each successive draft:
- So, very, really
These words (especially just) are used often in casual conversation, so they
just tend to slip in when one is first ‘telling’ the story.
But writing, imho, should
actually be a grade above the casual. Also, I’ve seen a lot of first drafts where writers use double modifiers on the subject, I.E.:
The stairwell sent him quick, dark echoes…
It’s a matter of taste, but I think
that the second of the two modifiers should always be an uncommon word, or else the prose comes off as really, very predictable , or something.
Most importantly: while editing, concentrate on the tone and rhythm of the narrative itself, and let all the rules and such attend to it like servants.
If all we did as artists was follow rules, then this game would have long ago been over.
we are storytellers first, and writers by way of revision