Tag Archives: agency model

“As if you needed to correct some small accident…”

Day Three of The MayDayChallenge: a troublesome duet sung by two strangers in a double bed.

Napalm and Cake

Yesterday,
with a tumult in her eye
She tried kissin’ me, and I don’t know rightly why
But I’m about to be
Caught up in the storm, she brews next to me

Keeping my body warm
In this double bed
That perhaps from too much drink
I had let her in
And I can’t allow her to think
She’s got the upper hand

But I can’t recall her name, and she’s lyin’ on
My arm that’s half asleep,
And my knighted pawn
Moves to the words she speaks
In the morning light
Her skin a sheath of down, and her heavy sighs
The wind before the storm that she clarifies:

“Yesturday,
When I saw you standin’ there at the dim-lit bar
With your wild, unkempt hair
Your eyes seemin’ far
As though set on something wrong
In a distant land
And I could tell your will was strong
In your heart & hands
As though you needed to correct
Some small accident
And if I would interject
myself in your plans
You’d change my insides for the better,
Here…”

And she moved her hand astride
My listenin’ ear
And she moved her body high
On my body, and
We unmade the day with that gruesome act
Of napalm and cake
And her hurricane
It scooped the dirt from my guts,
The scum from my brain
And for a moment we were one
And all but the same


“The greatest threat to an artist isn’t piracy…

…it’s obscurity.” —ephemeriis_

So sayeth the unknown reddit commenter (quoting Cory Doctorow (rephrasing Tim O’Reilly)).

There is a very big shift that has been occurring in the arts over the past decade, where the traditional conception of ‘ownership’ is becoming more and more confused. Charged words like ‘theft’ and ‘property’ are being bandied about by large, faceless corporations who serve lists of shareholders. These shareholders exert a pressure on the corporations to constantly increase earnings, and so these corporations use their funds to secure these earnings, using established laws and bending or recreating laws to suit their needs.

But the artist does not serve the shareholder. The artist’s investors are his fans. Ostensibly, the large production, publishing and management companies are there to connect the artist with the fans—but it is obvious that an artist is a commodity to these companies, to be bought, sold, traded, and milked for content. The amount of money an artist receives from, say, the sale of a book and cd is miniscule—usually no more than 15%, and often less than 10%. I’m not saying this is necessarily wrong—middle men will always be the ones who ‘make’ the money. Creating something that moves imaginations requires a different set of skills, from that which will move wallets.

These lumbering giants—in the music and the book industries—are making big waves right now, but eventually they will adapt or fail. The indie music and self-publishing models will slowly eat at their profits, and these large entities, I believe, will have to be less like ‘digital rights’ companies, than ‘quality ensurance’ [sic] companies. Curators of excellence… or at least curators of gleaming, lowest common denominator McArt.

Imagine this: a network hub which connects writers, editors, designers and marketers, and then connects products with fans. Alternatively, studio musicians with songwriters with producers with marketers with fans.

TheLegion.net: where the myriad meets the multitude.

Great little video about experimental business models for art & music.